All pictures in this post might be tapped on for bigger versions.
You would be excused for feeling that the large number in its own crate is the date, and the two hands on the dial are for the minutes and hours; and maybe that bizarre minimal squat hand in its own adjust window to the top is indeed for power save, or maybe consistent seconds.
You’d be wrong.
For starters, the watch is really a bounce hour (just flexible in one course: forward) with the enormous number being the hour; minutes and seconds are on the huge dial, and the little thickset hand is truth be told the moon stage show. Obviously, not having a date, you can’t set this precisely. Winding the crown advances in the conventional setting position propels the time; winding it in reverse changes the moon stage hand. It doesn’t bounce, yet it is successfully a higher-outfitted quickset. This implies that on the off chance that you miss the time you were focusing on, no decision except for to circumvent an additional 12 hours and attempt again.
The Vianney Halter watch for Goldpfeil originates before his all the more commonly realized Antiqua and Classic pieces; it’s a once in a while seen model that has both various extraordinary contacts, pleasant completions, and furthermore some astonishing roughness. I view at it as a momentary piece – something made during the time spent a craftsman discovering his character. It’s likewise very conceivable that this specific watch had experienced a cumbersome watchmaker or two during routine service.
The case is done perfectly – I am told by someone of good power that the little specks on the front surface were pounded by hand by Vianney himself; there are no under four distinct completions looking into it (cleaned, glossy silk brushed, matte, that odd pounding) itself. The dials and hands are an alternate story; to be honest, everything looks somewhat unrefined. There are instrument blemishes on the hands, however I’m not limiting the ungainliness of a new help individual. The dial printing isn’t as thick as one might want, and the edges are somewhat fluffy under high magnification.
Adding to the positive impression of the case is a pleasant, delicate, flexible tie whose coating is more pleasant than the outside of most different ties – it’s crocodile. The way that the first tie has endured this long all alone is a demonstration of its quality. It’s polished off by a somewhat uncommon clasp that has what is best portrayed as a ‘filler piece’ that goes in the hole between the tongue and outside; it sits against the wrist when the watch is worn. A perfect little detail, yet honestly very unrealistic to wear.
The development is a comparative story – it’s an intensely altered ebauche of no specific note, (sorry, I couldn’t discover the first base type) however with Vianney’s complication plate incorporated – conveying the hop hour, moon stage and decentered minutes/seconds. The hop hour works magnificently; its smooth, dependable, and appears to tick over to the following hour inside 15 seconds or so of its delegated time. Amazing. The development completing, then again, is really workmanlike – and that’s being courteous. The new Nomos developments are honestly head and shoulders better, and let’s not discussion about the cutting edge free thinkers. In any case, it does the work, I suppose.
All in all, the VH GPF is a lovely novel piece – maybe unconventional is the word that best portrays it. I’m not certain I’d go chasing for one of my own, however I am unquestionably happy I had the chance to deal with and photo one. MT